I work across publishing, communications, and editorial storytelling within contemporary art and culture, with a focus on how publications, programmes, and cultural projects reach audiences across print, digital, and live contexts.
My work is rooted in editorial development and public-facing strategy. I collaborate with artists, writers, publishers, and cultural organisations to shape how work is framed, circulated, and encountered, maintaining conceptual clarity while attending to visibility, readership, and presence.
Currently, I am working on communication strategy and digital communications for the Kosovo Pavilion at the 61st International Architecture Exhibition – La Biennale di Venezia 2026, represented by Brilant Milazimi and curated by Joe Esparza. I continue to work with Heritage Space, leading communications, creative direction, and web consultancy as the programme transitions into an independent platform established by Cultural Heritage without Borders (CHwB). Alongside this, I am working toward the publication of Something Glamorous, Something Breathtaking, an artist book by Astrit Ismaili, overseeing its editorial and creative direction, and contributing as a writer to ME DIELL Magazine.
Selected past projects include co-curating soft enclosures at FORMA HQ, a programme of moving-image works and publications; co-directing the creative campaign for DokuFest 2025; serving as Assistant Curator for the Art Explora Mediterranean Festival in Durrës (2025); leading communications for the award-winning Kosovo Pavilion at the 60th International Art Exhibition – La Biennale di Venezia (2024); and working as Creative Producer on Road Runner, a travel editorial by Josh Olins for Wall Street Journal Magazine (2024).
My work spans collaborations with artists, publishers, and cultural institutions across independent and international contexts, including Art Explora, DokuFest, Wall Street Journal, Die Zeit, Manifesta Biennale, Montez Press Radio, the British Council, the National Gallery of Kosovo, and CHwB Kosova.